STATEMENT
Hey Honey, look, a 29 by 36 cm digital canvas. The size was defined to fit the maximum ratio you can display vertically on Instagram and print on A3. At 300 DPI, because, of course, resolution matters if you want to be taken seriously. But really, it’s just a grid full of pixels. A lot actually, 14,563,100 to be exact, each capable of reflecting 16,777,216 hues. That makes many possible combinations, a dizzying number that the mind struggles to imagine, but still, not endless. There’s only a limited number of ways to fill the grid, and all I do is pick a few of them. Not just any, of course, the ones that make sense. At least, I think so. Maybe I was trying to make sense, an intentional translation of my thoughts into a graphic and aesthetic language. Or maybe the meaning came afterwards, when the image appeared and I gave it an interpretation. Or perhaps it’s all bullshit, complete nonsense pleasing to the eye and we like to think it holds a deeper significance than a random scattering of pixels on a pre-defined grid.
Honey, what do you think?
- /'FU:BAR/ Glitch Art Exhibition _October 2024 _POGON Jedinstvo (Zagreb, Croatia)
- /'FU:BAR/ Glitch Art Exhibition _October 2023 _MAMA (Zagreb, Croatia) & Virtual Exhibition
- Glitch Art Is Dead _September 2022 _Granite Falls (Minnesota, USA)
- Young Blood 02 _March 2022 _The Holy Art Gallery (London, UK)
- Young Blood 01 _January 2022 _Virtual Exhibition by The Holy Art _Contest winner
- Glitch.art.br 4th edition _December 2023 _Virtual Exhibition
- Glitch.art.br 3rd edition _December 2022 _Virtual Exhibition
- Glitch.art.br 2nd edition _December 2021 _Virtual Exhibition
- Glitch.art.br 1st edition _December 2020 _Virtual Exhibition
EXHIBITIONS
​- Shades of Precision within /’FU:BAR/ Expo’23 _Bee Nix, 2024
- Glitch.art.br. 2023 _Clerber Gazana, São Paulo, 2024,_p61
- Glitch.art.br. 2022 _Clerber Gazana, São Paulo, 2023,_p69
PUBLICATIONS
2014 - 2017 _Design & Applied Arts _ Lycée Pasteur (Besançon)
2017 - 2023 _Industrial / Transportation Design Master _Strate School of Design (Paris)
EDUCATION
No image-generating system was used in the creation of any artwork presented here. This is neither an anti- nor pro-AI statement, as I acknowledge the value this tool can bring to the creative process. However, it doesn't align with the artistic approach intended for this specific work.